Chris Bryan is a world renowned award winning cinematographer.
He has been at the cutting edge of the surf industry for the past 15 years.
Chris is the ultimate water-man who uses all mediums but specialises in high-speed Cinematography.
When Chris is not travelling, he is based in Sydney, Australia. Most of his work is in the field of action sports cinematography used in feature films, commercials and television. Chris is not only a Phantom camera operator, but has studied in New York to become a qualified Phantom technician. Chris has worked closely with the creators of the Phantom camera to create his own unique custom light weight self contained underwater housing for the new state of the art Phantom Flex 4K complete with Directors underwater video split.
Along with High Speed, Chris also owns both the Red Weapon 8K and Arri Alexa Mini cameras which are just more tools to tell the complete story.
What sets Chris apart from others is his creative eye and his ability to get the shot in the most extreme situations with his very own state of the art camera equipment.
One of Chris's strongest attributes is his incredible versatility and consistency. Chris' ability to capture images from land, air or water angles on multiple formats, under various conditions contributes to his outstanding reputation.
|Sensor:||27.6 x 15.5mm|
|Resolution:||4096 x 2304|
|Frame rate:||940 fps @ 4096 x 2304
1000 fps @ 4096 x 2160
1950 fps @ 2048 x 1080
The RED Raptor is an 8K camera with Vista-Vision (full-frame) sensor.
The RED V-RAPTOR is an 8K VV DSMC3 digital cinema camera. Sized only slightly larger than the KOMODO with a new 8K sensor. For example, capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. The V-RAPTOR’s RF lens mount is compatible with a range of adapters. For example shoot with PL or EF lenses. The Raptor has dual 12G-SDI outputs, and 16-bit REDCODE Raw at significantly higher frame rates. In addition, 1080 streaming, 17+ stops of dynamic range, and phase-detection autofocus (PDAF). These make the RED V-RAPTOR suitabile for a range of production styles.
Features of the RED Raptor 8K:
• 35.4MP Full-Frame, Rolling Shutter CMOS
• Lightweight & Compact DSMC3 Design
• Canon RF Lens & PL mount, CFexpress Type-B Support
• Up to 8K120 17:9, 6K198 S35 & 4K240 17:9
• 17+ Stops of Dynamic Range
• Right-Side Assistant’s User Interface
• REDCODE Raw HQ, MQ & LQ Options
• USB Type-C & Dual 12G-SDI Ports
Ronin 2 exists to let filmmakers capture the scene they see in their mind. Upgraded high torque motors allow it to support a wider range of cameras, resist high winds and G-forces caused when mounted to a car and keep it moving smoothly in flight.
Whether it’s a simple DSLR or a professional camera with cinema grade glass with all the accessories mounted, Ronin 2 will stabilize the build.
The Black arm Complete is made to work for gimbals and cameras with a weight range between 5-32kg.
The Black arm is a 3-axis dampening system with a additional vibration mount for stabilizing roll and tilt errors as well as vertical motion and vibrations. The Black arm is a hard mount system made for gimbals that you want to mount on vehicles such as cars, ATVs, boats, snowmobiles etc.(Carries between 5-32kg)
The Black Arm is a great combo with the DJI Ronin 2 Gimbal, also available.
(Comes with Anti-Vibration Tranquilizer mount)
ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor
for 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like
highlight handling, better low light performance, and richer colors.
The new REVEAL Color Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while
ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and a complete new mechanical support system round out the ALEXA 35 platform.
• Super 35 4.6K camera in a compact body
• Robust and reliable
• High Dynamic Range / 17 Stops
• Brand NEW ARRI REVEAL Colour Science
• ARRIRAW or Apple ProRes recording
THE “SWISS ARMY KNIFE” OF UNDERWATER CAMERA HOUSINGS.
This custom gates underwater housing works with the below cameras and a wide variety of professional cinema lenses (basically any prime lens or short zoom will work):
• Alexa 35
• Alexa Mini LF
• Alexa 65
• Sony Venice 1 And 2
• Red V-Raptor 8k VV
• Phantom Flex 4k
If you’re filming underwater and need near perfect colour, there is no other diving light on the market which will fit your specification. The light is 30,000 lumens and provides a completely flat beam, allowing for beautiful accurate filming.
The OTUS primes from Zeiss feature some of the world’s most advanced optics which provide unrelenting sharpness and highly corrected image quality. If you’re project requires the absolute highest image quality, the OTUS primes are a perfect choice.
Waterproof splash bag for Arri, Red, Phantom and Sony cameras. Compatible with Teradek systems for wireless signal and Arri Hi-5 or WCU-4 hand Units.
Available in two different sizes: A compact size or full size splash bag depending on camera configuration, Splash bags are supplied with the user configurable 5″ Small HD monitor in waterproofed housing which gives access to all the focus and exposure tools the monitor features.
A stunning 338 PPI display weighing in at only 6.8lbs
High density, low profile.
Display: 13″ 3840 x 2160
Backlight Type: LCD
Display: 13-inch, 3840×2160, 1500nits
SDI: 4x 12G-SDI in, 4x 12G-SDI out
HDMI: 1x HDMI 2.0 in, 1x HDMI 2.0 out
Power Input: 1x 4-pin XLR